One year ago today, my first novel went live on Amazon. It has been a year of learning, growth, and (I won't lie) some WHAT THE HELL AM I DOING???? moments. I think taking the plunge and self-publishing has magnified certain aspects of my personality that I can never be sure whether they're good or bad. Like my stubbornness about what I like and don't like, my perfectionist tendencies, my occasional (okay, so maybe it's chronic) indecisiveness, and my "If you want it done right, do it yourself" attitude. In my life in general, those things have definitely shaped my decisions and produced some wonderful (if occasionally stressful and slow-burning) results. But they're results I've been happy with. The same is true so far for my publishing journey.
I think there are likely things I could do differently that might result in more sales or faster results. But I'm unwilling (so far) to compromise on how and why I do things. I figure if I'm going to self-publish, where I have complete control, then I'm going to do it exactly how I want to do it, no exceptions. I'm happy with where it's taken me so far. To celebrate one year of publishing, I've given Sorry's Not Enough a face lift with a new ebook cover, which I created myself (see above re: perfectionism and DIY attitude) and I've also dropped the price from $3.99 all the way down to $0.99! The sale lasts through June 1, 2014 only, so get it while you can! It may never see this price point again. Links are below. (My free short story collection, Consenting Adults, also has a new cover courtesy of my friend and fellow author Cali MacKay.)
Thank you to everyone who has helped me along on my journey so far. I hope you'll follow along as I continue forward.... :-)
Writing and life are like a bowl of jello - malleable, uncertain, open to interpretation, with endless possibilities.
Showing posts with label Women's fiction. Show all posts
Showing posts with label Women's fiction. Show all posts
23 May 2014
25 March 2013
#Scintilla13: Letting Go
Going back to a previous prompt for today's Scintilla post.
Letting Go
She stared at the little black box, which held the promise of one particular future life. Marriage, kids, a house and a job most likely within twenty miles of the small town where they'd grown up. In theory, they could make their own path - create any kind of future their hearts desired. But somehow she knew if she said yes to her high school sweetheart right now, just days after they'd each graduated from college, it would be The Life Script all the way. For both of them. It wasn't a bad future. She just wasn't sure it was the one she wanted. There were things she wanted--needed--to experience first. There were things he should experience, too. Maybe they could experience them together. But not if she said yes. Not right now.
She stared at the little black box until he closed it and shoved it in his pocket. She started to apologize, but he cupped her face in his trembling hands and kissed her with more passion than he had in a long time. Between urgent kisses, she whispered that she loved him, and he whispered that he loved her too, but he had a job offer in Seattle and she should go to Europe just like she'd always wanted. He kissed her mouth and her cheeks and her eyelids, and he apologized, and then he thanked her. Thanked her for having the courage that he didn't have--the courage to let go, even though they loved each other.
She stared at the taillights of his car as he drove away. Her heart was heavy and her eyes wet with the sorrow of saying goodbye to the life in that little black box, but also with excitement at the life tomorrow would bring.
B: What have been the event horizons of your life–the moments from which there was no turning back?
Letting Go
She stared at the little black box, which held the promise of one particular future life. Marriage, kids, a house and a job most likely within twenty miles of the small town where they'd grown up. In theory, they could make their own path - create any kind of future their hearts desired. But somehow she knew if she said yes to her high school sweetheart right now, just days after they'd each graduated from college, it would be The Life Script all the way. For both of them. It wasn't a bad future. She just wasn't sure it was the one she wanted. There were things she wanted--needed--to experience first. There were things he should experience, too. Maybe they could experience them together. But not if she said yes. Not right now.
She stared at the little black box until he closed it and shoved it in his pocket. She started to apologize, but he cupped her face in his trembling hands and kissed her with more passion than he had in a long time. Between urgent kisses, she whispered that she loved him, and he whispered that he loved her too, but he had a job offer in Seattle and she should go to Europe just like she'd always wanted. He kissed her mouth and her cheeks and her eyelids, and he apologized, and then he thanked her. Thanked her for having the courage that he didn't have--the courage to let go, even though they loved each other.
She stared at the taillights of his car as he drove away. Her heart was heavy and her eyes wet with the sorrow of saying goodbye to the life in that little black box, but also with excitement at the life tomorrow would bring.
22 March 2013
#Scintilla13: Baby Fever
Today's Scintilla prompt:
And today's fiction:
As soon as my sister Caroline walked through the front door, I plucked baby Isabel from her arms and whisked her away to the den. It would take Caroline at least ten minutes to unload her massive diaper bag and portable playpen. Having an infant seemed like a huge hassle.
Izzy smiled and babbled as I removed her mittens, hat, and coat. She was pretty hideous right when she was first born, but I suppose most babies are. In the nine months since, she's gotten cuter every day. Those chubby cheeks are so pinchable and kissable, I can hardly contain myself. Something about high levels of cuteness makes me aggressive. I could almost literally gobble her up.
The baby seemed sleepy, so I cradled her against my chest and walked around the room. As her eyelids drooped, my heart swelled. This is how I love them. Docile, tiny, peaceful.
"Thanks so much for babysitting," Caroline said, coming into the room.
"Of course. You know I love to."
She peeked over my shoulder. "Oh thank goodness. I thought she'd never fall asleep. She's been fighting it for a while."
We were silent for a moment, both studying Izzy's little face. The impossibly smooth, porcelain skin. The round nose. The eyelashes I would kill for.
"I can't believe she's nine months already," I said.
"I know. It's gone by so slow and so fast at the same time."
"You ready to start trying for another one yet?"
She laughed. "You could always get one of your own, you know. You and David will be great parents."
"Nah. I'll just borrow yours." Izzy began to feel heavy in my arms.
"When do you think you guys will try?"
"We won't."
Silence. Caroline stared at me.
Awkward silence.
I tried not to imagine what was going through her head. I'd heard it all before. How can you not want kids? You'll change your mind. It's different when they're your own.
Babies are great. Toddlers and teens are not. I loved Isabel almost like she were mine, but I loved being able to give her back. I'd never had any urge to have one of my own, though.
I looked at Caroline, silently daring her to take her best shot.
"Cool. You'll get to spoil Isabel all you want."
Caroline smiled. I smiled. In her sleep, I'm pretty sure Izzy smiled.
B: Write about spending time with a baby/child under age 2. If you’re a parent, do NOT write about your own child.
And today's fiction:
As soon as my sister Caroline walked through the front door, I plucked baby Isabel from her arms and whisked her away to the den. It would take Caroline at least ten minutes to unload her massive diaper bag and portable playpen. Having an infant seemed like a huge hassle.
Izzy smiled and babbled as I removed her mittens, hat, and coat. She was pretty hideous right when she was first born, but I suppose most babies are. In the nine months since, she's gotten cuter every day. Those chubby cheeks are so pinchable and kissable, I can hardly contain myself. Something about high levels of cuteness makes me aggressive. I could almost literally gobble her up.
The baby seemed sleepy, so I cradled her against my chest and walked around the room. As her eyelids drooped, my heart swelled. This is how I love them. Docile, tiny, peaceful.
"Thanks so much for babysitting," Caroline said, coming into the room.
"Of course. You know I love to."
She peeked over my shoulder. "Oh thank goodness. I thought she'd never fall asleep. She's been fighting it for a while."
We were silent for a moment, both studying Izzy's little face. The impossibly smooth, porcelain skin. The round nose. The eyelashes I would kill for.
"I can't believe she's nine months already," I said.
"I know. It's gone by so slow and so fast at the same time."
"You ready to start trying for another one yet?"
She laughed. "You could always get one of your own, you know. You and David will be great parents."
"Nah. I'll just borrow yours." Izzy began to feel heavy in my arms.
"When do you think you guys will try?"
"We won't."
Silence. Caroline stared at me.
Awkward silence.
I tried not to imagine what was going through her head. I'd heard it all before. How can you not want kids? You'll change your mind. It's different when they're your own.
Babies are great. Toddlers and teens are not. I loved Isabel almost like she were mine, but I loved being able to give her back. I'd never had any urge to have one of my own, though.
I looked at Caroline, silently daring her to take her best shot.
"Cool. You'll get to spoil Isabel all you want."
Caroline smiled. I smiled. In her sleep, I'm pretty sure Izzy smiled.
10 September 2012
Pitch Polish Blog Hop - #GUTGAA
In case you forgot, GUTGAA stands for Gearing Up to Get an Agent. In preparation for the agent and small press pitch contests, I'm participating in the pitch polish blog hop. 100 anonymous pitch polish entries will be posted on Deana Barnhart's blog, and the rest of us who'd like help with our pitches are posting them on our own blogs. Let me know what you think about my pitch, and be sure to head over to Deana's blog to help out with some other pitches, too. For the purposes of GUTGAA, the pitch consists of the "meat" of our query letter and the first 150 words of our manuscript. So, without further ado, here's mine!
TITLE: Sorry's Not Enough
GENRE: Commercial New Adult
WORD COUNT: 97,000
FIRST 150:
Sanguinolent sunset. There's a word you don't see every day. Charlotte circled it with her red pen and drew a smiley at the end of the line, below where she'd called out a different phrase for being trite. She continued making notes in the margin as the others took turns giving feedback. By the time she was done marking up the poem, the paper was also sanguinolent.
She looked up when the group grew quiet. Her turn. She looked down at the poem again and hoped its author wouldn't be offended. What was his name? Steven.
“It's a little confused,” she said. There was a pause and a shuffle of papers.
“What don't you understand?”
She snapped her chin up and was taken aback by the force of his gaze. No adjective could adequately describe the shade of green staring back at her.
“I'm not confused. Your poem is.”
TITLE: Sorry's Not Enough
GENRE: Commercial New Adult
WORD COUNT: 97,000
PITCH:
If emotional
wall-building were an art form, Charlotte would be a grand master.
After being betrayed at a young age by the one man she should've been
able to trust, she builds an impenetrable fortress of solitude. At
least she thinks it's impenetrable, until a summer writing workshop
brings Steven into her life. With his obnoxious ego and stupid good
looks, he's somehow immune to her Stay the Hell Away from Me
pheromones. Even more bizarre is that for the first time, Charlotte
can't quite bring herself to really push him away.
The unexpected romance
screeches to a halt when Charlotte and Steven walk into the same
classroom at the start of the school year and find themselves on
opposite sides of the desk. Steven's quick with the apologies, but
sorry doesn't seem to cut it when you've just found yourself cast as
a modern day Lolita, you know?
Obviously the
universe is telling Charlotte that keeping Steven at arm's length is the
only way to avoid getting hurt. Resisting the warmth of his embrace
is easier said than done, though, especially when it's evident Steven has no
intention of letting her go.
And so the cycle of their relationship
begins. Over the course of several years they share moments as
passionate lovers, periods of warm friendship, and months of
barely-civil tension. How can she hope to create a healthy
relationship with Steven when she's never confronted the relationship
that destroyed her ability to trust in the first place? And by the
time she finds the courage to do so, will sorry be enough for Steven?
Sanguinolent sunset. There's a word you don't see every day. Charlotte circled it with her red pen and drew a smiley at the end of the line, below where she'd called out a different phrase for being trite. She continued making notes in the margin as the others took turns giving feedback. By the time she was done marking up the poem, the paper was also sanguinolent.
She looked up when the group grew quiet. Her turn. She looked down at the poem again and hoped its author wouldn't be offended. What was his name? Steven.
“It's a little confused,” she said. There was a pause and a shuffle of papers.
“What don't you understand?”
She snapped her chin up and was taken aback by the force of his gaze. No adjective could adequately describe the shade of green staring back at her.
“I'm not confused. Your poem is.”
27 June 2012
The Difficult Decision NOT To Publish
I've been talking about, and working toward, self-publishing my first novel, Sorry's Not Enough, this fall. I've done a lot of research, learned a whole lot of things, tried my hand at creating an ebook cover, put my novel through several beta readers, and agonized over every word. My plan was to put together a few short stories as a collection to release for free a few weeks before publishing the novel, as a sort of teaser for people new to my writing. While doing all this, I was going to continue working on my WIP, Confessions of a Non-Believer, a commercial women's fiction story with a bit of religious debate. And THEN, when that was done, I would start writing my erotica series during the time it took to seek representation for Confessions, while hopefully making decent self-pub sales with Sorry's Not Enough. That was the plan, and I've put in a lot of work, so this post may come as a surprise.
I will not be self-publishing Sorry's Not Enough.
And no, it's not because I got an agent or anything like that. I will also not continue working on Confessions right now. I may tinker with it here and there, but it won't be my priority. This is a hard thing to say, because on some level I feel like I'm abandoning the love of my life. I love both of these stories, and it does hurt a little bit to say "Sorry, but I have to set you aside."
I'm not dropping out of the writing game. What I am doing is carefully selecting my career path. It has been in the back of my mind for a while that I have two separate audiences for my work. The dream would be that my fans would be my fans no matter my genre, but realistically I know that the audience for my women's fiction and the audience for my erotica are two separate market segments. There will be some overlap in the customer base, but sustaining a career in one or both genres means different marketing plans and, most importantly, a steady supply of new material for fans of EACH genre. My FTWA colleague Sophie Perinot wrote about author branding and genre in a post last August that really spoke to me. I think I've been mulling this over on a subconscious level ever since.
The bottom line in Sophie's post, and the reality of publishing, is that you will most likely mold your writing career around the genre you debut in. At least for a while. I'm sure you've all heard the saying by now that the best marketing for one book is to write (and publish) your next book. A solid career track depends on a writer being able to deliver a steady supply of writing that the readers are eager to gobble up. So it doesn't make sense to debut in one genre, then switch to another. Like I said, you might get some readers who follow you from one genre to another, but you'll essentially have to re-market and re-brand yourself to a new readership in the new genre. Career-wise, it just isn't a smart move. At least not for me.
Which is why my commercial women's fiction projects have to take a back seat while I focus on erotica.
I've had this idea for my erotica series for a couple years now, but I've always been waiting to finish (and hopefully land an agent/publishing deal) with the women's fiction first. Probably because that was the order in which the ideas came to me. If I am truly honest with myself, though, trying to break into the publishing world with my women's fiction is a BAD idea. Why? Because SNE and Confessions are the only two women's fiction manuscripts I have, and I don't currently have any ideas for more. Nor has any viable idea come to me in the past two years. All of the other awesome ideas I have are for erotic stories, starting with this series. The series idea was just a nebulous collection of scenarios in my head at first, nothing too concrete, so I kept working on Confessions. But now the idea is more fully formed and screaming to be written.
There's also another reason I'm shifting my focus to erotica: timing. I have a sense that right now - like, YESTERDAY! - is a prime time to launch my career as an erotic novelist. No matter how much I, or anyone, may dislike Fifty Shades of Grey for whatever reason, it has thrust erotica into the mainstream limelight. Do I think there's better erotica out there? Of course. I hope that mine can be counted in the better quality category. We'll have to wait and see on that. But there's a buzz around the genre right now, and it seems like there's no better time to step onto the stage and try to make a name for myself. The fact that this is happening now, and that my series concept has finally gelled into something I'm finally prepared to write, now, is immense stroke of luck. I mean honestly... the timing! I feel if I put it off any longer, I'll miss out on a great opportunity.
Don't get me wrong. I'm not hopping on a bandwagon. I've been interested in erotica for a long time now, and I've written short stories, and the idea for the novel came to me a couple years ago. Erotica has also been a very healthy genre, sales-wise, way before the 50 Shades explosion, especially in the indie and self-publishing realm. But now is just the right time for me. How can I say no?
As I already mentioned, it just doesn't make career sense for me. Even if I use a pen name to keep the marketing/genre stuff separate, I'll still only have two viable women's fiction manuscripts. Why self-publish one, seek representation for another (or self-pub both), and then have nothing else in the pipeline? I feel I'd be doing a disservice not only to my readers, but to myself and those two stories. If I (fingers crossed!) build a readership and fan base with my erotica and it doesn't look like I'll have any more women's fiction stuff to offer down the line, maybe then I'd consider self-publishing SNE and Confessions as a little something extra to offer my readers. I think I'd have better luck getting fans of my erotica to read my non-erotic titles than vice versa. Not sure why. Just a hunch I have.
Even disregarding all of the above, I still couldn't do both. I. Just. Can't. Recently I did an interview for Matt Sinclair at The Elephant's Bookshelf (publisher of the Spring Fevers anthology) and he asked whether I tend to work on multiple projects, or one at a time. In hindsight I realized just how much my answer foreshadowed this very decision:
I'm indecisive. It's one of my flaws. I'm paralyzed by choice. Having to consider and manage all aspects of writing two projects and publishing a third is just too much. In discussing this decision with a friend yesterday, I told him I have this thing where I have a hard time problem-solving by just taking things one step at a time. I see things in a very interconnected way, and when I consider even one option, I can't help but also see the myriad possibilities branching out from it, like a choose-your-own adventure on crack. While this ability is actually an immense bonus to me working in retail environments, it is crippling in my writing life. If I let it get the best of me, I'll end up doing what I've been doing for the past three months: wasting time on Facebook and Twitter or staring at mindless drivel on TV because the magnitude of so many choices, so many potential actions, results, and consequences is overwhelming.
This has been a gut-wrenchingly difficult decision. Partially because I've been saying I'm going to self-publish this book for a good while now, and seemingly at the last minute I'm pulling the plug. I don't like saying I'm going to do something and then not doing it, no matter the reason. Makes me feel like a flake. (Thank you to all my Twitter friends and the #goatposse for assuring me I am not a flake.) I'm not sure what else has made it so difficult for me... probably a little soul-searching and psychological analysis to be done there, but I won't bore you with that. :-)
I hope that by sharing my decision with you, maybe someone else who feels like they're floundering without direction or struggling with a decision that's been eating at them for a while will find the courage to really examine themselves and their goals. Writing is art, and I want to write the stories that I want to write. But I also want this to be a career, which means making tough calls about what I should be writing at any given moment. And sometimes it means going with your gut, even when you aren't sure, like me.
What's the hardest writing career decision you've had to make? How did you know you were making the right choice?
I will not be self-publishing Sorry's Not Enough.
And no, it's not because I got an agent or anything like that. I will also not continue working on Confessions right now. I may tinker with it here and there, but it won't be my priority. This is a hard thing to say, because on some level I feel like I'm abandoning the love of my life. I love both of these stories, and it does hurt a little bit to say "Sorry, but I have to set you aside."
Anatomy of a decision
I'm not dropping out of the writing game. What I am doing is carefully selecting my career path. It has been in the back of my mind for a while that I have two separate audiences for my work. The dream would be that my fans would be my fans no matter my genre, but realistically I know that the audience for my women's fiction and the audience for my erotica are two separate market segments. There will be some overlap in the customer base, but sustaining a career in one or both genres means different marketing plans and, most importantly, a steady supply of new material for fans of EACH genre. My FTWA colleague Sophie Perinot wrote about author branding and genre in a post last August that really spoke to me. I think I've been mulling this over on a subconscious level ever since.
The bottom line in Sophie's post, and the reality of publishing, is that you will most likely mold your writing career around the genre you debut in. At least for a while. I'm sure you've all heard the saying by now that the best marketing for one book is to write (and publish) your next book. A solid career track depends on a writer being able to deliver a steady supply of writing that the readers are eager to gobble up. So it doesn't make sense to debut in one genre, then switch to another. Like I said, you might get some readers who follow you from one genre to another, but you'll essentially have to re-market and re-brand yourself to a new readership in the new genre. Career-wise, it just isn't a smart move. At least not for me.
Which is why my commercial women's fiction projects have to take a back seat while I focus on erotica.
I've had this idea for my erotica series for a couple years now, but I've always been waiting to finish (and hopefully land an agent/publishing deal) with the women's fiction first. Probably because that was the order in which the ideas came to me. If I am truly honest with myself, though, trying to break into the publishing world with my women's fiction is a BAD idea. Why? Because SNE and Confessions are the only two women's fiction manuscripts I have, and I don't currently have any ideas for more. Nor has any viable idea come to me in the past two years. All of the other awesome ideas I have are for erotic stories, starting with this series. The series idea was just a nebulous collection of scenarios in my head at first, nothing too concrete, so I kept working on Confessions. But now the idea is more fully formed and screaming to be written.
There's also another reason I'm shifting my focus to erotica: timing. I have a sense that right now - like, YESTERDAY! - is a prime time to launch my career as an erotic novelist. No matter how much I, or anyone, may dislike Fifty Shades of Grey for whatever reason, it has thrust erotica into the mainstream limelight. Do I think there's better erotica out there? Of course. I hope that mine can be counted in the better quality category. We'll have to wait and see on that. But there's a buzz around the genre right now, and it seems like there's no better time to step onto the stage and try to make a name for myself. The fact that this is happening now, and that my series concept has finally gelled into something I'm finally prepared to write, now, is immense stroke of luck. I mean honestly... the timing! I feel if I put it off any longer, I'll miss out on a great opportunity.
Don't get me wrong. I'm not hopping on a bandwagon. I've been interested in erotica for a long time now, and I've written short stories, and the idea for the novel came to me a couple years ago. Erotica has also been a very healthy genre, sales-wise, way before the 50 Shades explosion, especially in the indie and self-publishing realm. But now is just the right time for me. How can I say no?
But can't you just use a pen name for one genre and do both at the same time? Or even if you don't use a pen name, can't you STILL self-publish like you were planning to and also write erotica?
As I already mentioned, it just doesn't make career sense for me. Even if I use a pen name to keep the marketing/genre stuff separate, I'll still only have two viable women's fiction manuscripts. Why self-publish one, seek representation for another (or self-pub both), and then have nothing else in the pipeline? I feel I'd be doing a disservice not only to my readers, but to myself and those two stories. If I (fingers crossed!) build a readership and fan base with my erotica and it doesn't look like I'll have any more women's fiction stuff to offer down the line, maybe then I'd consider self-publishing SNE and Confessions as a little something extra to offer my readers. I think I'd have better luck getting fans of my erotica to read my non-erotic titles than vice versa. Not sure why. Just a hunch I have.
Even disregarding all of the above, I still couldn't do both. I. Just. Can't. Recently I did an interview for Matt Sinclair at The Elephant's Bookshelf (publisher of the Spring Fevers anthology) and he asked whether I tend to work on multiple projects, or one at a time. In hindsight I realized just how much my answer foreshadowed this very decision:
I attempt multiple projects, but usually I end up not making much progress on any. For several weeks now, I've been stuck in the "thinking and scheming" frame of mind for about three different projects. I have to buckle down soon and start focusing on one first, then another, so I can actually get something accomplished.I simply don't have it in me to write this erotica novel in a timely manner while also trying to focus on self-publishing my first novel and all that comes with that - marketing, blog tours, monitoring sales, etc. And forget about trying to write the erotica, self-publish SNE, AND keep working on Confessions. I get anxious just thinking about it.
I'm indecisive. It's one of my flaws. I'm paralyzed by choice. Having to consider and manage all aspects of writing two projects and publishing a third is just too much. In discussing this decision with a friend yesterday, I told him I have this thing where I have a hard time problem-solving by just taking things one step at a time. I see things in a very interconnected way, and when I consider even one option, I can't help but also see the myriad possibilities branching out from it, like a choose-your-own adventure on crack. While this ability is actually an immense bonus to me working in retail environments, it is crippling in my writing life. If I let it get the best of me, I'll end up doing what I've been doing for the past three months: wasting time on Facebook and Twitter or staring at mindless drivel on TV because the magnitude of so many choices, so many potential actions, results, and consequences is overwhelming.
This has been a gut-wrenchingly difficult decision. Partially because I've been saying I'm going to self-publish this book for a good while now, and seemingly at the last minute I'm pulling the plug. I don't like saying I'm going to do something and then not doing it, no matter the reason. Makes me feel like a flake. (Thank you to all my Twitter friends and the #goatposse for assuring me I am not a flake.) I'm not sure what else has made it so difficult for me... probably a little soul-searching and psychological analysis to be done there, but I won't bore you with that. :-)
I hope that by sharing my decision with you, maybe someone else who feels like they're floundering without direction or struggling with a decision that's been eating at them for a while will find the courage to really examine themselves and their goals. Writing is art, and I want to write the stories that I want to write. But I also want this to be a career, which means making tough calls about what I should be writing at any given moment. And sometimes it means going with your gut, even when you aren't sure, like me.
What's the hardest writing career decision you've had to make? How did you know you were making the right choice?
30 March 2012
Short Stories Published!
You may already know, but I had two short stories accepted into an anthology put together by some fellow writers at Agent Query Connect. I'm pleased to tell you that Spring Fevers is now available! Even better, it's free! Download from Smashwords, B&N, or Amazon. Fair warning, though, it's NOT free on Amazon, as they haven't price matched it. Any money from Amazon purchases will be given to charity, so if you want to spend the $0.99, go right ahead. If you read and love it, we hope you'll leave a review! You do NOT need an ereader to read the book, either! If you don't have one, there are free Kindle and Nook apps for your computer and smartphone, as well as Calibre, which will read all ebook formats.
About the anthology
An anthology of short stories, Spring Fevers is an exploration of relationships in their varied states: love -- requited and unrequited -- friendships discovered and lost, family in its many guises, and the myriad places in between. Created by Cat Woods and Matt Sinclair, Spring Fevers arose from their work with the Agent Query Connect online writing community, and while membership in the free site was not necessary for inclusion in the anthology, the ten writers whose stories appear are all members. Authors include MarcyKate Connolly, S.Q. Eries, Robb Grindstaff, J. Lea Lopez, Mindy McGinnis, R.S. Mellette, Yvonne Osborne, Matt Sinclair, A.M. Supinger, and Cat Woods. The debut publication of Elephant’s Bookshelf Press, Spring Fevers was edited by the team of Robb Grindstaff, Matt Sinclair, and Cat Woods, with cover design by Calista Taylor, and book design by R.C. Lewis. A new anthology is scheduled to be released in the fall of 2012.
The beautiful cover was designed by Calista Taylor, who has been a great friend/beta reader/coach and taught me a lot about creating ebook covers, though my skill is amateur to say the least. If you're in the market for a book cover, check out her website Covers by Cali to learn about her incredibly affordable options and to check out the gallery of other covers she has done.
About my stories
I have two stories in this anthology.
The Adventures of Sasquatch is the story of a single mom's desire to assert her fun-loving nature despite the opinions of her coworkers, and maybe even find love in the process. It all starts, and ends, with the most unlikely catalyst: her big feet.
The Haricots Verts is flash fiction, capturing a moment of uncertainty between two potential lovers.
About the anthology
An anthology of short stories, Spring Fevers is an exploration of relationships in their varied states: love -- requited and unrequited -- friendships discovered and lost, family in its many guises, and the myriad places in between. Created by Cat Woods and Matt Sinclair, Spring Fevers arose from their work with the Agent Query Connect online writing community, and while membership in the free site was not necessary for inclusion in the anthology, the ten writers whose stories appear are all members. Authors include MarcyKate Connolly, S.Q. Eries, Robb Grindstaff, J. Lea Lopez, Mindy McGinnis, R.S. Mellette, Yvonne Osborne, Matt Sinclair, A.M. Supinger, and Cat Woods. The debut publication of Elephant’s Bookshelf Press, Spring Fevers was edited by the team of Robb Grindstaff, Matt Sinclair, and Cat Woods, with cover design by Calista Taylor, and book design by R.C. Lewis. A new anthology is scheduled to be released in the fall of 2012.
The beautiful cover was designed by Calista Taylor, who has been a great friend/beta reader/coach and taught me a lot about creating ebook covers, though my skill is amateur to say the least. If you're in the market for a book cover, check out her website Covers by Cali to learn about her incredibly affordable options and to check out the gallery of other covers she has done.
About my stories
I have two stories in this anthology.
The Adventures of Sasquatch is the story of a single mom's desire to assert her fun-loving nature despite the opinions of her coworkers, and maybe even find love in the process. It all starts, and ends, with the most unlikely catalyst: her big feet.
The Haricots Verts is flash fiction, capturing a moment of uncertainty between two potential lovers.
09 October 2011
Sample: Confessions of a Non-Believer
Confessions of a Non-Believer
Mainstream/Women's Fiction
Chapter 1
I lie in bed, sure the last few hours have been a cruel dream. After all, young, successful attorneys aren’t supposed to die of undiagnosed heart defects. They aren’t supposed to die two months before their wedding, three months after buying a house with their fiancée. If they’re going to die in the middle of the court room, it’s supposed to be sensational: the result of a crazed defendant or disgruntled victim taking justice into their own hands. Especially Carl, who always had to do the best and be the best, who had to make a name for himself everywhere he went. He’s probably looking down on the whole thing now, pissed that he hadn’t been able to deliver his brilliant closing arguments before fate ripped a hole in his heart and sent him falling to the floor of Judge Aberman’s court room. He probably wouldn’t have thought of me on the way down—of how he was making a widow of me even before I became a wife—only how he’d never get to make partner now.
Our bed seems much bigger than it used to. The edges stretch farther and farther away from me, drowning me in expensive organic cotton. Taunting me. Telling me with all the softness and compassion of an automaton that no matter how many times I roll over, I’ll never again feel Carl beside me.
Still, I heave myself over, and over again, searching for a warmth that isn’t there. Or, at the very least, a cool empty space just over the edge that might tell me our bed hasn’t really grown to infinite proportions I can never escape. I find the latter, in the form of a three foot fall onto the hardwood floor. I hardly try to brace myself, my hip thudding gracelessly against the golden pine, my elbow cracking against the nightstand on the way down.
Shit.
I swallow the metallic taste that has sprouted from the tip of my tongue, curl my knees up to my chest, stare at the dust bunnies that have collected under the bed. I should get up, I think. Should wipe the stream of unladylike snot sliding across my upper lip. Instead, I let my forehead drop to the floor and continue scanning the shadowy void under the bed as if my fiancé might magically appear there.
Every time I try to imagine his face, I see him as I saw him in the hospital.
When he left the house this morning, he was wearing a dark grey three-button suit. Pale blue shirt. Grey and blue striped tie. But when I pushed through the hospital doors, the only grey was the ashen color of his face; he was wearing only a white sheet.
I’ll have to change the sheets on our bed—my bed now. I don’t know if I’ll ever be able to sleep on plain white sheets again.
My cell phone rings from somewhere unseen. I roll over onto my back with every intention of getting up and answering it, but by the time the white ceiling comes into view, the ringing has stopped. So I stop trying to get up.
Minutes later, it starts again. I don’t know how long it rings, only that it keeps on ringing. And ringing. When it finally does stop, for good, it’s replaced by a loud knocking at the door.
“Bree!” The deep voice is somewhere outside my bedroom, but in the house. Apparently I didn’t lock the front door. “Brianne!” My brother-in-law calls to me again. At least he would’ve been my brother-in-law. Not anymore.
“Luke.” I mean to call out, but my voice fails me, emanating as only a cracked whisper. The bedroom door bursts open anyway, and Luke is suddenly on his knees with me.
“Jesus, Bree, why didn’t you pick up?”
“It’s not real, right?” Arms encircle me. I find my face pressed against his neck, a day’s worth of stubble scratching at my forehead. Definitely real.
“You should’ve called me first. I would’ve gone with you to the hospital.”
I hadn’t thought to call. When someone told me my fiancé had collapsed in court, I wasn’t thinking about who I should call to meet me at the hospital. I was thinking about the designer gown that would be arriving at a local wedding boutique in a week for a fitting. I was thinking about the nearly 200 guests we were expecting at the wedding in 8 weeks.
“Gloria,” I said. I was thinking about her, too, on the way to the hospital. Carl and Luke’s mother. Somehow, she would make this out to be my fault.
Luke squeezes me tighter and for a moment I imagine I might feel better if he would just squeeze all the breath from my lungs.
“I called. They’re trying to get a flight out.”
I hadn’t called anyone at all. The drive home is a blur. Someone at the firm must have called Luke.
“I have to call Father Granger.” He was supposed to marry us. Now he’ll have to perform another ceremony. I try to scramble to my feet; Luke scrambles with me. His arms are the only thing that keep me steady when my knees turn to jelly.
“Bree, stop it.”
“I have to call.”
“You can do it tomorrow.”
“I have to—”
“You don’t.” His grip is firm. I try to push him away.
“There’s so much I have—”
“Bree, just stop. It can wait.”
“He’s dead!” I scream, saying it out loud for the first time. “What am I supposed to do, huh?” I pound my fists against his chest. “He was supposed to marry me, and love me, and be with me forever, and now he’s dead!”
He’s dead.
But I can’t, because every time I slow down, I can feel the world spinning beneath my feet. It’s always been turning, changing, buzzing with the hum of millions of busy lives. But before now, my life always hummed right along with the rest, one ballerina in a carefully choreographed dance. Now I’ve lost my place and can only mimic the movements of the other dancers, frighteningly aware of how fast everything is going by, until I can find my way again.
I call my parents back home in Seattle and they promise to get on the first plane they can catch. Mom tells me to hang in there, not to stay the night alone, to surround myself with friends. She, like Luke, tries to convince me that all my phone calls—to cancel wedding plans and make funeral arrangements—can wait until morning. But I keep dialing. Wedding’s off. Carl’s dead. No other reason, and why should there be?
Call the caterer. The florist. Maybe the florist can…no, don’t think about that. Keep dialing. The reception hall. Should’ve started cancelling things yesterday, or the day before, but my lips couldn’t form the embarrassed excuse then. It’s more difficult now to spit out this tragic news instead. This isn’t what I wanted when we decided… How was I to know?
Call the ceremony site. And the guests. So many guests. I can at least start calling my side of the list tonight. The rest will wait.
Can’t stop to listen to the silence or look at Luke’s expressionless face. I haven’t seen him cry. He sits there and watches me pace across the living room, cell phone pressed to my ear. When my fingers run out of numbers to dial, when my lips can no longer bear to form any words, Luke watches me cry.
I stand in the middle of the living room, sniffling, wiping at the tears as fast as they come. I don’t even have the luxury of denial because I saw him, covered from toes to neck. I felt his skin, not yet cold, but not as warm as mine. I can’t delude myself that he might come walking through the door. I cry because he won’t.
And I cry because a selfish part of me is relieved he can’t.
Mainstream/Women's Fiction
Chapter 1
Carl is dead. If ever there were a day I wished there
was some god to comfort me, to welcome Carl's soul to paradise, today
is it.
I lie in bed, sure the last few hours have been a cruel dream. After all, young, successful attorneys aren’t supposed to die of undiagnosed heart defects. They aren’t supposed to die two months before their wedding, three months after buying a house with their fiancée. If they’re going to die in the middle of the court room, it’s supposed to be sensational: the result of a crazed defendant or disgruntled victim taking justice into their own hands. Especially Carl, who always had to do the best and be the best, who had to make a name for himself everywhere he went. He’s probably looking down on the whole thing now, pissed that he hadn’t been able to deliver his brilliant closing arguments before fate ripped a hole in his heart and sent him falling to the floor of Judge Aberman’s court room. He probably wouldn’t have thought of me on the way down—of how he was making a widow of me even before I became a wife—only how he’d never get to make partner now.
Our bed seems much bigger than it used to. The edges stretch farther and farther away from me, drowning me in expensive organic cotton. Taunting me. Telling me with all the softness and compassion of an automaton that no matter how many times I roll over, I’ll never again feel Carl beside me.
Still, I heave myself over, and over again, searching for a warmth that isn’t there. Or, at the very least, a cool empty space just over the edge that might tell me our bed hasn’t really grown to infinite proportions I can never escape. I find the latter, in the form of a three foot fall onto the hardwood floor. I hardly try to brace myself, my hip thudding gracelessly against the golden pine, my elbow cracking against the nightstand on the way down.
Shit.
I swallow the metallic taste that has sprouted from the tip of my tongue, curl my knees up to my chest, stare at the dust bunnies that have collected under the bed. I should get up, I think. Should wipe the stream of unladylike snot sliding across my upper lip. Instead, I let my forehead drop to the floor and continue scanning the shadowy void under the bed as if my fiancé might magically appear there.
Every time I try to imagine his face, I see him as I saw him in the hospital.
When he left the house this morning, he was wearing a dark grey three-button suit. Pale blue shirt. Grey and blue striped tie. But when I pushed through the hospital doors, the only grey was the ashen color of his face; he was wearing only a white sheet.
I’ll have to change the sheets on our bed—my bed now. I don’t know if I’ll ever be able to sleep on plain white sheets again.
My cell phone rings from somewhere unseen. I roll over onto my back with every intention of getting up and answering it, but by the time the white ceiling comes into view, the ringing has stopped. So I stop trying to get up.
Minutes later, it starts again. I don’t know how long it rings, only that it keeps on ringing. And ringing. When it finally does stop, for good, it’s replaced by a loud knocking at the door.
“Bree!” The deep voice is somewhere outside my bedroom, but in the house. Apparently I didn’t lock the front door. “Brianne!” My brother-in-law calls to me again. At least he would’ve been my brother-in-law. Not anymore.
“Luke.” I mean to call out, but my voice fails me, emanating as only a cracked whisper. The bedroom door bursts open anyway, and Luke is suddenly on his knees with me.
“Jesus, Bree, why didn’t you pick up?”
“It’s not real, right?” Arms encircle me. I find my face pressed against his neck, a day’s worth of stubble scratching at my forehead. Definitely real.
“You should’ve called me first. I would’ve gone with you to the hospital.”
I hadn’t thought to call. When someone told me my fiancé had collapsed in court, I wasn’t thinking about who I should call to meet me at the hospital. I was thinking about the designer gown that would be arriving at a local wedding boutique in a week for a fitting. I was thinking about the nearly 200 guests we were expecting at the wedding in 8 weeks.
“Gloria,” I said. I was thinking about her, too, on the way to the hospital. Carl and Luke’s mother. Somehow, she would make this out to be my fault.
Luke squeezes me tighter and for a moment I imagine I might feel better if he would just squeeze all the breath from my lungs.
“I called. They’re trying to get a flight out.”
I hadn’t called anyone at all. The drive home is a blur. Someone at the firm must have called Luke.
“I have to call Father Granger.” He was supposed to marry us. Now he’ll have to perform another ceremony. I try to scramble to my feet; Luke scrambles with me. His arms are the only thing that keep me steady when my knees turn to jelly.
“Bree, stop it.”
“I have to call.”
“You can do it tomorrow.”
“I have to—”
“You don’t.” His grip is firm. I try to push him away.
“There’s so much I have—”
“Bree, just stop. It can wait.”
“He’s dead!” I scream, saying it out loud for the first time. “What am I supposed to do, huh?” I pound my fists against his chest. “He was supposed to marry me, and love me, and be with me forever, and now he’s dead!”
He’s dead.
Luke sits on the couch all night and watches me make
phone calls. Sometimes he protests, tells me it can wait, I should
sit down. Eat. Something. Anything.
But I can’t, because every time I slow down, I can feel the world spinning beneath my feet. It’s always been turning, changing, buzzing with the hum of millions of busy lives. But before now, my life always hummed right along with the rest, one ballerina in a carefully choreographed dance. Now I’ve lost my place and can only mimic the movements of the other dancers, frighteningly aware of how fast everything is going by, until I can find my way again.
I call my parents back home in Seattle and they promise to get on the first plane they can catch. Mom tells me to hang in there, not to stay the night alone, to surround myself with friends. She, like Luke, tries to convince me that all my phone calls—to cancel wedding plans and make funeral arrangements—can wait until morning. But I keep dialing. Wedding’s off. Carl’s dead. No other reason, and why should there be?
Call the caterer. The florist. Maybe the florist can…no, don’t think about that. Keep dialing. The reception hall. Should’ve started cancelling things yesterday, or the day before, but my lips couldn’t form the embarrassed excuse then. It’s more difficult now to spit out this tragic news instead. This isn’t what I wanted when we decided… How was I to know?
Call the ceremony site. And the guests. So many guests. I can at least start calling my side of the list tonight. The rest will wait.
Can’t stop to listen to the silence or look at Luke’s expressionless face. I haven’t seen him cry. He sits there and watches me pace across the living room, cell phone pressed to my ear. When my fingers run out of numbers to dial, when my lips can no longer bear to form any words, Luke watches me cry.
I stand in the middle of the living room, sniffling, wiping at the tears as fast as they come. I don’t even have the luxury of denial because I saw him, covered from toes to neck. I felt his skin, not yet cold, but not as warm as mine. I can’t delude myself that he might come walking through the door. I cry because he won’t.
And I cry because a selfish part of me is relieved he can’t.
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