There's a mouthful for ya. If you're not familiar, NaNoWriMo is National Novel Writing Month. Thirty days of literary abandon. The goal is to write a novel by midnight on November 30th. They define "novel" as 50,000 words. The focus is quantity, not quality.
It's funny, because that's the exact opposite of how I usually write. It takes me ages and ages to finish something, even when I have a pretty clear idea of where it's going, because I search painstakingly for exactly the right words to use, the perfect scenarios to accomplish what I want from a chapter, etc. When I have a first draft, it's a pretty darn good first draf (in my opinion, of course haha). But I suppose in the time it takes me to get a complete first draft, plenty of other writers have done the first draft and a couple edits already. So maybe NaNoWriMo would be good for me. It would force me to focus on simply writing the story, ignoring mistakes that can be fixed later, inserting some kind of filler when I can't figure out exactly what I want so that I can move on and keep writing.
But still, a novel in a month? It seems pretty daunting. I'm not sure if I can put in the time and energy that would take. We're heading into the holiday retail season, which means busier, harder, longer days at my regular job, which already takes a lot out of me. Can I handle NaNoWriMo too?
The other thing that makes me uncertain is that they ask you to start from scratch. You can't include any previously written material in your 50,000 word goal. And I don't really have any new ideas right now. I have Confessions that I've been working on, as well as Marisol's erotica story. I have ideas for the sequels to the erotica, but is really prudent to start writing a sequel when I've barely got 3 chapters of the first book?
I think I would like to give it a try, but I'm hesitant. I still have next week to figure it out, since it doesn't begin until November 1st. If I can come upwith even a half suitable idea for a new project, maybe I'll jump into NaNoWriMo feet first, sink or swim.
Think you might be interested? Everything you need to know is here: http://www.nanowrimo.org/
Writing and life are like a bowl of jello - malleable, uncertain, open to interpretation, with endless possibilities.
24 October 2009
20 October 2009
Faces of the Future
I'd like to introduce you to one awesome chica, and I thought she deserved more than just an aspiring author profile. She doesn't even know I'm doing this, so it'll be a big surprise. Her name is Elana Johnson and, short and simple, she rocks.
I "met" Elana through a critique group on Agent Query Connect some time ago. I was working on Charlotte/Sorry's Not Enough, and had just recently decided that I wanted to take my writing to the next level and attempt publication. She was working on a YA fantasay currently titled Loves Magic. I feel privileged to have seen the early stages of that book, plus early peeks at a few others. You can learn about her books on her website. Elana always had useful, insightful critiques, and her own writing improved leaps and bounds while she was part of group. She's continued to improve and I can honestly say I'd gladly read any of her books as soon as they're in print.
Okay, so being a great writer and critiquer is one thing. But why, you may ask, does she get this special post? Because she's fully invested in her writing and her future career. In addition to maintaining a professional website, she blogs. On more than one blog! She has her personal blog, she's a contributor to the Query Tracker blog, and there's also Query Ninja. That's three - count 'em, three! - blogs in addition to her regular writing to fit into her schedule.
Oh yeah, did I mention she's a wife, mother, and has a full time day job? I can barely handle my day job, one blog, a husband and a dog haha.
To top it all off, Elana has written an ebook to help writers with their queries. I recently purchased my copy of From the Query to the Call. (Expect a review in the coming weeks!) The Query Ninja blog is where Elana personally helps writers perfect their query letters - currently only available to those who purchase the ebook. Elana will also be starting her next book during National Novel Writing Month in November. NaNoWriMo is a fun - or crazy, depending how you see it - 30 days of novel writing. The goal is to get 50,000 words in a month. I'll blog more on that next week.
Honestly, Elana is an inspiration and a role model for me. I hope to step back one day and find myself engrossed in my writing - whether it's actual novel-writing, blogging, publishing, promoting, or whatever - the way she is: with wit, grace, humor, and one heckuva great talent!
So remember the name Elana Johnson. I have a feeling she's going to have a great career ahead of her. Check out any of the links in this post to learn more about her and read snippets of her writing and see for yourself how talented she is. When she's on the best seller list, you can say you saw her here first!
I "met" Elana through a critique group on Agent Query Connect some time ago. I was working on Charlotte/Sorry's Not Enough, and had just recently decided that I wanted to take my writing to the next level and attempt publication. She was working on a YA fantasay currently titled Loves Magic. I feel privileged to have seen the early stages of that book, plus early peeks at a few others. You can learn about her books on her website. Elana always had useful, insightful critiques, and her own writing improved leaps and bounds while she was part of group. She's continued to improve and I can honestly say I'd gladly read any of her books as soon as they're in print.
Okay, so being a great writer and critiquer is one thing. But why, you may ask, does she get this special post? Because she's fully invested in her writing and her future career. In addition to maintaining a professional website, she blogs. On more than one blog! She has her personal blog, she's a contributor to the Query Tracker blog, and there's also Query Ninja. That's three - count 'em, three! - blogs in addition to her regular writing to fit into her schedule.
Oh yeah, did I mention she's a wife, mother, and has a full time day job? I can barely handle my day job, one blog, a husband and a dog haha.
To top it all off, Elana has written an ebook to help writers with their queries. I recently purchased my copy of From the Query to the Call. (Expect a review in the coming weeks!) The Query Ninja blog is where Elana personally helps writers perfect their query letters - currently only available to those who purchase the ebook. Elana will also be starting her next book during National Novel Writing Month in November. NaNoWriMo is a fun - or crazy, depending how you see it - 30 days of novel writing. The goal is to get 50,000 words in a month. I'll blog more on that next week.
Honestly, Elana is an inspiration and a role model for me. I hope to step back one day and find myself engrossed in my writing - whether it's actual novel-writing, blogging, publishing, promoting, or whatever - the way she is: with wit, grace, humor, and one heckuva great talent!
So remember the name Elana Johnson. I have a feeling she's going to have a great career ahead of her. Check out any of the links in this post to learn more about her and read snippets of her writing and see for yourself how talented she is. When she's on the best seller list, you can say you saw her here first!
07 September 2009
Author Interview: T. L. Gould, Part Two
Here we are with Part Two of my interview with Terry L. Gould, self-published author of How Can You Mend This Purple Heart? Last time we talked a bit about Terry's background and the story behind Purple Heart. Now Terry shares some insight into the self-publishing process.
JLL: Why did you decide to self-publish?
TLG: In one word—impatience. I studied dozens of websites and learned as much as I could about the publishing industry and the publishing process. I followed that with an intense study of all the how-to advice on finding an agent, writing a great query letter, writing a powerful synopsis, the why’s of following agent submission guidelines and the dos and don’ts of just about every rule that should never be broken—and then what rules should be broken.
To make a long story short, after twenty-some queries (very targeted to the genre), followed by nine rejections and the remaining no responses, I lost patience.
I did as much research on self-publishing as I had on traditional publishing and decided it was the best option for “Purple Heart”.
JLL: What can you tell us about the self-publishing process?
TLG: If your writing is the ultimate goal—not the act of getting published—then self-publishing is worth a look. The best advice I can give is to do your homework. Research as many self-publishing firms as you can. Compare everything. Compare rates, options, marketing add-ons, design costs and copyright ownership clauses. Read every contract thoroughly. It’s time consuming, but every contract I looked at had some amazing obligations required by the author and some even more amazing “rights” given to the publisher. And don’t just visit the firms’ websites. Scroll down Google and look for any news about each firm. There are a lot of bad apples and thankfully there are a lot of dedicated people to point them out to you and tell you just which apples have worms.
Access to the internet deprives anyone of an excuse not to know everything needed to make a sound decision.
JLL: How long did it take?
TLG: The research process took about three weeks. Once I had decided on the publisher, it took approximately three weeks to see a printed book.
JLL: Where/how did you find out about the service you used?
TLG: Other than the internet search, the company came very highly recommended from a member of a writer’s group.
JLL: Has there been a lot of out-of-pocket expense for you?
TLG: The company I am working with, Published by Westview, charges $1,089 to format, change font throughout the book, set up table of contents, obtain ISBN for both paperback and hardcover and create a design cover. Two opportunities for review and revisions is included. The cost also includes the first five paperback and hardcover copies.
JLL: Do you make a decent profit on the books you sell?
TLG: The printing costs for Print On Demand, are very high compared to volume printing. A single paperback, 235 pages, black and white is $6.00. The “retail” price must be set at the time the ISBN is assigned and that dollar figure must be able to compete in the “big box” market, should the writer decide to go with full distribution. (Westview offers two options for the author; full distribution through Ingram, or “publisher distribution only” which is restricted access. The books are only available through the publisher’s or the author’s websites. The publisher must sell the books at the retail price, however, the author can set his/her selling price that is lower than the ISBN retail price).
So, if an author sells the book for $15.00 on the website, and the book costs $6.00, the author’s gross profit is $9.00. However, if the author decides to sell the book on his/her website for $8.95 the gross profit is $2.95. Shipping and handling costs from the printer are additional and depend on the number of books being shipped.
Self-published writers need to be very cautious not to price the book too high. As an “unknown” writer it is very unlikely anyone is willing to pay the same as they would for an established author.
JLL: Are you your own editor, or are those services provided?
TLG: This is the one area where I wish I would have/could have had a real editor (you Jen!). Self-editing is like asking a politician to watch your wife for a couple of days. (JLL: HAHA!) I literally re-read, re-wrote and revised the story nine times. EVERY time I found mistakes. I was too close to the story itself to separate the emotional attachment from the technical requirements. I’m pretty good with English, grammar, quotation rules and sentence structure, but not good enough.
I don’t care if you think you’re Webster, every book needs an independent, qualified, sincere and talented editor. If I’ve learned one thing it’s this; the editor is just as important as the author.
JLL: What about cover art?
TLG: The cover art was provided by the publisher, however, with “Purple Heart” I knew what I wanted on the cover and they obtained the photos and provided the electronic art.
JLL: Would you self-publish again? As a last-resort option, or a first- or second-choice?
TLG: I’ve been kicking around a book concept for some time. It’s a full-length memoir that chronicles the shenanigans of me and my two older brothers. It’s more of a family history story than anything else. That I might self-publish.
As for the other stories I’m working on, well, I can only say I hope I have gained a little more patience as I’ve gotten older.
JLL: I know you’ve been pursuing some marketing/publicity opportunities. Would I be right in assuming that you’re also solely responsible for marketing your book, or do you receive any help?
TLG: The marketing falls squarely on the writer. If a self-published writer wants to sell lots of books, he/she better know the audience they want to reach. A lot of time and money can be wasted chasing the wrong group of readers. In the world of traditional publishing, not many newspaper editors will even consider reviewing a self-published book. It’s a closed community at this time, although I have read articles where that is changing a little.
Marketing is very time-consuming and frustratingly slow. You have to make it fun, make it a game. The best thing I’ve learned is to be creative with ideas on how to gain awareness for the book—and don’t expect too much. (You know, it’s that low pay ego thing).
JLL: Any advice for other authors considering self-publishing?
TLG: Just like your writing, do it because you enjoy it. Don’t go into it thinking you’re going to be the next Tom Clancy or Steven King. Remember, 50,000 new book titles are printed in the U.S. every year. If you self-publish, do it because you love your story and you’re proud of your accomplishment.
JLL: Terry, thanks so much for taking the time to answer my questions! I hope you have great success with Purple Heart and the rest of your writing endeavors. And if you have acquired a bit more patience with the traditional publishing process, I'm sure it won't be long before you see success there.
If you'd like your own copy of Purple Heart, please visit http://www.purplescribe.com/ . Don't forget, not only will your purchase support an independent author, but also Veterans Airlift Command.
JLL: Why did you decide to self-publish?
TLG: In one word—impatience. I studied dozens of websites and learned as much as I could about the publishing industry and the publishing process. I followed that with an intense study of all the how-to advice on finding an agent, writing a great query letter, writing a powerful synopsis, the why’s of following agent submission guidelines and the dos and don’ts of just about every rule that should never be broken—and then what rules should be broken.
To make a long story short, after twenty-some queries (very targeted to the genre), followed by nine rejections and the remaining no responses, I lost patience.
I did as much research on self-publishing as I had on traditional publishing and decided it was the best option for “Purple Heart”.
JLL: What can you tell us about the self-publishing process?
TLG: If your writing is the ultimate goal—not the act of getting published—then self-publishing is worth a look. The best advice I can give is to do your homework. Research as many self-publishing firms as you can. Compare everything. Compare rates, options, marketing add-ons, design costs and copyright ownership clauses. Read every contract thoroughly. It’s time consuming, but every contract I looked at had some amazing obligations required by the author and some even more amazing “rights” given to the publisher. And don’t just visit the firms’ websites. Scroll down Google and look for any news about each firm. There are a lot of bad apples and thankfully there are a lot of dedicated people to point them out to you and tell you just which apples have worms.
Access to the internet deprives anyone of an excuse not to know everything needed to make a sound decision.
JLL: How long did it take?
TLG: The research process took about three weeks. Once I had decided on the publisher, it took approximately three weeks to see a printed book.
JLL: Where/how did you find out about the service you used?
TLG: Other than the internet search, the company came very highly recommended from a member of a writer’s group.
JLL: Has there been a lot of out-of-pocket expense for you?
TLG: The company I am working with, Published by Westview, charges $1,089 to format, change font throughout the book, set up table of contents, obtain ISBN for both paperback and hardcover and create a design cover. Two opportunities for review and revisions is included. The cost also includes the first five paperback and hardcover copies.
JLL: Do you make a decent profit on the books you sell?
TLG: The printing costs for Print On Demand, are very high compared to volume printing. A single paperback, 235 pages, black and white is $6.00. The “retail” price must be set at the time the ISBN is assigned and that dollar figure must be able to compete in the “big box” market, should the writer decide to go with full distribution. (Westview offers two options for the author; full distribution through Ingram, or “publisher distribution only” which is restricted access. The books are only available through the publisher’s or the author’s websites. The publisher must sell the books at the retail price, however, the author can set his/her selling price that is lower than the ISBN retail price).
So, if an author sells the book for $15.00 on the website, and the book costs $6.00, the author’s gross profit is $9.00. However, if the author decides to sell the book on his/her website for $8.95 the gross profit is $2.95. Shipping and handling costs from the printer are additional and depend on the number of books being shipped.
Self-published writers need to be very cautious not to price the book too high. As an “unknown” writer it is very unlikely anyone is willing to pay the same as they would for an established author.
JLL: Are you your own editor, or are those services provided?
TLG: This is the one area where I wish I would have/could have had a real editor (you Jen!). Self-editing is like asking a politician to watch your wife for a couple of days. (JLL: HAHA!) I literally re-read, re-wrote and revised the story nine times. EVERY time I found mistakes. I was too close to the story itself to separate the emotional attachment from the technical requirements. I’m pretty good with English, grammar, quotation rules and sentence structure, but not good enough.
I don’t care if you think you’re Webster, every book needs an independent, qualified, sincere and talented editor. If I’ve learned one thing it’s this; the editor is just as important as the author.
JLL: What about cover art?
TLG: The cover art was provided by the publisher, however, with “Purple Heart” I knew what I wanted on the cover and they obtained the photos and provided the electronic art.
JLL: Would you self-publish again? As a last-resort option, or a first- or second-choice?
TLG: I’ve been kicking around a book concept for some time. It’s a full-length memoir that chronicles the shenanigans of me and my two older brothers. It’s more of a family history story than anything else. That I might self-publish.
As for the other stories I’m working on, well, I can only say I hope I have gained a little more patience as I’ve gotten older.
JLL: I know you’ve been pursuing some marketing/publicity opportunities. Would I be right in assuming that you’re also solely responsible for marketing your book, or do you receive any help?
TLG: The marketing falls squarely on the writer. If a self-published writer wants to sell lots of books, he/she better know the audience they want to reach. A lot of time and money can be wasted chasing the wrong group of readers. In the world of traditional publishing, not many newspaper editors will even consider reviewing a self-published book. It’s a closed community at this time, although I have read articles where that is changing a little.
Marketing is very time-consuming and frustratingly slow. You have to make it fun, make it a game. The best thing I’ve learned is to be creative with ideas on how to gain awareness for the book—and don’t expect too much. (You know, it’s that low pay ego thing).
JLL: Any advice for other authors considering self-publishing?
TLG: Just like your writing, do it because you enjoy it. Don’t go into it thinking you’re going to be the next Tom Clancy or Steven King. Remember, 50,000 new book titles are printed in the U.S. every year. If you self-publish, do it because you love your story and you’re proud of your accomplishment.
JLL: Terry, thanks so much for taking the time to answer my questions! I hope you have great success with Purple Heart and the rest of your writing endeavors. And if you have acquired a bit more patience with the traditional publishing process, I'm sure it won't be long before you see success there.
If you'd like your own copy of Purple Heart, please visit http://www.purplescribe.com/ . Don't forget, not only will your purchase support an independent author, but also Veterans Airlift Command.
16 August 2009
Author Interview: T. L. Gould, Part One
It's finally here! The long-awaited interview with self-published author T. L. Gould. So without further ado....
Name: Terry L. Gould
Location: U.S.
Book: How Can You Mend This Purple Heart?
JLL: Tell us a little bit about Terry Gould - the regular guy, not the author.
TLG: The regular guy. Not much to talk about here. My childhood has had a tremendous influence on me throughout my adult life. We lived in very poor rural towns across and up and down Missouri, but through our childhood imaginations, we were oblivious to our “poverty.” During some periods the only food on the table was potatoes from the garden and oatmeal in every conceivable soup. We actually ate oatmeal for dinner quite a few times. This has given me such an incredible appreciation for all the people and places I have experienced throughout life. I despise greed and hoarding.
The police showed up at our house one evening and my dad was arrested and taken to jail when I was four years old. That had a tremendous impact on me for a long time. Still does. I carried around a total of distrust for authority, both because my dad left us and because the police took him away. I’m still untrusting and suspicious of the motives and agendas behind a lot of “power figures.”
I spent almost twenty-five years working for Fortune 500 companies in a variety of marketing and advertising positions. It was a great experience, with lots of travel to places I never dreamed of seeing, but it also changed me in ways that I regret. Without even knowing it, I became “corporatized.” You know, the stiff, button-down white collar, MBA know it all. It’s taken me nearly six years to rid myself of the rigid, “blue suit” personality with its dog-eat-dog commandments. I never really conformed to the corporate politics that stifle real creativity and thinking. Guess that’s why I changed jobs and companies every three or four years.
I’ve been in and out of the hospital so many times, due to accidents and surgeries, I should be presented with an honorary medical degree.
I love sports. Still playing ice hockey (two of the hospital visits) and play golf when I can. Not real good at either one.
Family: Married thirty years to the most intelligent, caring and supportive woman anyone could imagine. Spend lots of time with our daughter and her two children, ages one and five. Kids are so innocent and open-minded. I try to learn from them every day.
Last but not least, I believe if you’re going to tell your story, then tell it like it was. Don’t sugar coat it or wrap it with inhibitions or shyness. If you were a dope smoking, pill popping, anti-war peacenik, then say it and be proud of it. Don’t change who you were just fit who you wish you would have been. In the long run, it doesn’t feel good.
JLL: Has writing always been a hobby or passion, or is it a talent you only recently discovered?
TLG: Writing has been a step-child passion of mine. I wrote essays and short stories in high school that were considered “very good.” A couple of them were actually submitted by teachers for publication in the local paper.
During my twelve weeks in boot camp for the Navy, I made extra spending money writing love letters for guys to send home to their girlfriends or wives.
My writing ability helped me tremendously in getting through college. Term papers and writing assignments came pretty easy. I even made a little money “ghost” writing a few times.
Then it was off to work for twenty some odd years.
So, now I have adopted the stepchild writer in me and made it a full-fledged sibling.
JLL: Who are some of your favorite authors and/or books?
TLG: For whatever reasons, excuses, I don’t read much. I’ve read a lot of business books, but haven’t turned a page on one of those in more than ten years. I now find them boring and full of look-at-me types.
I used to love Mark Twain. The last book I finished was The Graveyard Book, by Neil Gaiman and I’m currently reading Eragon, by Christopher Paolini.
JLL: I ask my Aspiring Authors these questions, so let me give them to you, too. When it comes to your writing….Either/Or:
TLG: The story behind Purple Heart played its game on me for a long, long time. For some reason that I still cannot explain, I abandoned all connections to the hospital, my out-of-body experience, the war and my wounded friends for more than ten years following my discharge from the Navy. At some point after I met my wife, these quick, uninvited little bursts of memory would percolate through my brain and find their way into words. After telling my wife, brother and close friends about some of the experiences, through lots of laughter and tears, they kept saying “you should write a book.” I now know my retelling of those stories kept the memories alive and vivid. At some point, I realized it was a story that people should know and it was borne out of a long overdue and personal obligation I felt for the Vietnam veterans.
JLL: How long did it take you to write the book?
TLG: After retelling the story for more than ten years, I decided it was time to write the book. I started with a table of contents and zig zagged my writing through the chapters with no rhyme nor reason. That was nearly twenty years ago. I was able to focus on the story over the past three years and with the help of a terrific online crit group, ( yeah Jen!) [JLL: :-)] I got the first draft completed last year. In a general sense it took me thirty years to write. In a technical sense, probably three years.
JLL: Sometimes writers are afraid or embarrassed to “come out” to friends and family about deciding to write a book and try for publishing. Sometimes we’re afraid people around us will think we’re nuts, or we think if we tell anyone else about our endeavors, they’ll put more pressure on us to succeed than we do on ourselves (as if that’s possible!) Was any of that true for you?
TLG: I really didn’t feel any outside pressure to do a great job, or “we hope the book is as good as the story” sort of thing. A couple of good friends would chide me with “You’ll never get that damn thing written”, but that was mostly in jest and after a few beers.
I think my own expectations kept me from writing it for a long time. I mean, who am I to think I can write a good story? That sort of self-inflicted mental pressure was something I still can’t shake.
JLL: I know there are personal reasons for your wanting to publish Purple Heart, but I’ve also had the pleasure of reading some of your other writing. Do you have publishing dreams for future stories as well?
TLG: Oh yeah. That would be awesome. I would love to have my YA fantasy and YA mystery works in progress published some day. The writing is so much more fun and light hearted than Purple Heart and I think the two have a much broader market appeal. But, it’s getting the first (perfect) draft completed and I’m haven’t visited the mss in over three months. As you noted in your question, it is a dream.
JLL: As a writer, how will you measure your success? Dollars and cents? Number of copies sold? Number of different books published? Some other internal measure of satisfaction?
TLG: I need to separate this into two parts. I have to go back to the reason I wrote “Purple Heart”—it was not a story I wrote to get published, or sell so many copies or make a certain amount of money. The primary reason was to “just tell the story” so people would know what happened beyond the combat that every one sees in the movies--on which they make their judgments about Vietnam. And, it’s a story I was encouraged to write by family and friends, some of them Vietnam Veterans.
“Purple Heart” is a stand alone accomplishment for me. The day I finished typing out that last sentence was an overwhelming experience. Every emotion wrapped between the covers of that story came rushing over me. I literally sat and stared at the computer screen—crying with joy, sadness, relief and yes, a very powerful sense of accomplishment. When I started “Purple Heart” I never intended to be a “writer”, but after the joy of writing “Purple Heart” I can’t think of anything else I would rather do. So, the measure of success for “Purple Heart” was in the actual completion of the writing. Now, with my association with Veterans Airlift Command, success would be giving as much as I can to that organization through the sales of “Purple Heart”.
[JLL: From the Veterans Airlift Command website: "About the VAC The Veterans Airlift Command provides free air transportation to wounded warriors, veterans and their families for medical and other compassionate purposes through a national network of volunteer aircraft owners and pilots." Terry has pledged a portion of his sales from Purple Heart to benefit VAC. Which is yet another reason for you to purchase your own copy of Purple Heart.]
The writing that I am working on now would be measured in far more different terms. I want to learn as much as I can about the craft of writing. I want to constantly improve my ability to put together a really good story. When I started “Purple Heart” I didn’t know a plot from a theme from a premise. I started reading as much as I could on the internet about how to structure, how to outline, proper verb tense and good character development techniques. I purchased a couple of books on writing—the best was Bird by Bird written by Anne Lamont. At some point, I joined a fabulous, wonderful on-line critique group. It was the luckiest day in my life during the writing of “Purple Heart”.
So now, my best measure of success would be the act of getting published—the satisfaction, that recognition by the publishing and reading universe—that would be the greatest measure of success. I don’t know about other writers, but with me, my ego gets extremely high indulgence from very low pay expectations.
CLICK HERE for part two of the interview.
Stay tuned for Part Two of the interview, where Terry shares his insight and advice about self-publishing.
Name: Terry L. Gould
Location: U.S.
Book: How Can You Mend This Purple Heart?
JLL: Tell us a little bit about Terry Gould - the regular guy, not the author.
TLG: The regular guy. Not much to talk about here. My childhood has had a tremendous influence on me throughout my adult life. We lived in very poor rural towns across and up and down Missouri, but through our childhood imaginations, we were oblivious to our “poverty.” During some periods the only food on the table was potatoes from the garden and oatmeal in every conceivable soup. We actually ate oatmeal for dinner quite a few times. This has given me such an incredible appreciation for all the people and places I have experienced throughout life. I despise greed and hoarding.
The police showed up at our house one evening and my dad was arrested and taken to jail when I was four years old. That had a tremendous impact on me for a long time. Still does. I carried around a total of distrust for authority, both because my dad left us and because the police took him away. I’m still untrusting and suspicious of the motives and agendas behind a lot of “power figures.”
I spent almost twenty-five years working for Fortune 500 companies in a variety of marketing and advertising positions. It was a great experience, with lots of travel to places I never dreamed of seeing, but it also changed me in ways that I regret. Without even knowing it, I became “corporatized.” You know, the stiff, button-down white collar, MBA know it all. It’s taken me nearly six years to rid myself of the rigid, “blue suit” personality with its dog-eat-dog commandments. I never really conformed to the corporate politics that stifle real creativity and thinking. Guess that’s why I changed jobs and companies every three or four years.
I’ve been in and out of the hospital so many times, due to accidents and surgeries, I should be presented with an honorary medical degree.
I love sports. Still playing ice hockey (two of the hospital visits) and play golf when I can. Not real good at either one.
Family: Married thirty years to the most intelligent, caring and supportive woman anyone could imagine. Spend lots of time with our daughter and her two children, ages one and five. Kids are so innocent and open-minded. I try to learn from them every day.
Last but not least, I believe if you’re going to tell your story, then tell it like it was. Don’t sugar coat it or wrap it with inhibitions or shyness. If you were a dope smoking, pill popping, anti-war peacenik, then say it and be proud of it. Don’t change who you were just fit who you wish you would have been. In the long run, it doesn’t feel good.
JLL: Has writing always been a hobby or passion, or is it a talent you only recently discovered?
TLG: Writing has been a step-child passion of mine. I wrote essays and short stories in high school that were considered “very good.” A couple of them were actually submitted by teachers for publication in the local paper.
During my twelve weeks in boot camp for the Navy, I made extra spending money writing love letters for guys to send home to their girlfriends or wives.
My writing ability helped me tremendously in getting through college. Term papers and writing assignments came pretty easy. I even made a little money “ghost” writing a few times.
Then it was off to work for twenty some odd years.
So, now I have adopted the stepchild writer in me and made it a full-fledged sibling.
JLL: Who are some of your favorite authors and/or books?
TLG: For whatever reasons, excuses, I don’t read much. I’ve read a lot of business books, but haven’t turned a page on one of those in more than ten years. I now find them boring and full of look-at-me types.
I used to love Mark Twain. The last book I finished was The Graveyard Book, by Neil Gaiman and I’m currently reading Eragon, by Christopher Paolini.
JLL: I ask my Aspiring Authors these questions, so let me give them to you, too. When it comes to your writing….Either/Or:
- Pen and paper, or computer screen? The majority of my writing time is spent at the keyboard. I only write down on paper the “Aha” moments. I’ve tried the legal pad and pencil, but get bored and distracted too easily.
- Plotster (outlines, scene cards, etc.) or Pantster (writing by the seat of your pants)? I am definitely a seat of the pants writer. Outlines, scene cards, character notes…they are all too remindful of my “business days.” In my own humble opinion, that sort of structured process takes a lot of the creativity away.
- Music on, or off? On line Sirius XM is a god send.
- Solitude, or surrounded by people, sounds, things? By nature, I am a total people person. I need human contact. But in order for me to write, solitude is a necessary evil. I get tucked away in a little room with no windows, just the music, and a whole day can go by while I lose myself in two, three or four chapters. Then there are days when the words “hermit” and “recluse” keep repeating themselves on the screen and I know it’s time to get out.
- Cleanest first draft possible, or screw grammar/spelling/punctuation and fix it later? I’ve tried both. For whatever reason, contrary to my personality, the cleaner the first draft the happier I am. I don’t know how much good writing time I have wasted making all those damn corrections as I go. I tried to participate in the online nanowrimo where you write a fifty thousand word ms in thirty days. The spelling, grammar, punctuation, plot, character, etc. are of no concern. Just sit and write whatever comes out. I made it to 1,500 words. I wish I could just open up and let if fly, but I can’t.
- Slave to the whimsy of your muse, or writing like it’s your job, even when you don’t feel like it? I am shackled to my new-found passion. I can’t wait to sit down and poke out a sentence, a paragraph, a page. When I do get away from the keyboard, I find people staring back at me in contempt while I make mental notes of their features, movements and mannerisms and how I might use them for a character or scene. And I don’t even realize I’m doing it. It’s fun and scary.
TLG: The story behind Purple Heart played its game on me for a long, long time. For some reason that I still cannot explain, I abandoned all connections to the hospital, my out-of-body experience, the war and my wounded friends for more than ten years following my discharge from the Navy. At some point after I met my wife, these quick, uninvited little bursts of memory would percolate through my brain and find their way into words. After telling my wife, brother and close friends about some of the experiences, through lots of laughter and tears, they kept saying “you should write a book.” I now know my retelling of those stories kept the memories alive and vivid. At some point, I realized it was a story that people should know and it was borne out of a long overdue and personal obligation I felt for the Vietnam veterans.
JLL: How long did it take you to write the book?
TLG: After retelling the story for more than ten years, I decided it was time to write the book. I started with a table of contents and zig zagged my writing through the chapters with no rhyme nor reason. That was nearly twenty years ago. I was able to focus on the story over the past three years and with the help of a terrific online crit group, ( yeah Jen!) [JLL: :-)] I got the first draft completed last year. In a general sense it took me thirty years to write. In a technical sense, probably three years.
JLL: Sometimes writers are afraid or embarrassed to “come out” to friends and family about deciding to write a book and try for publishing. Sometimes we’re afraid people around us will think we’re nuts, or we think if we tell anyone else about our endeavors, they’ll put more pressure on us to succeed than we do on ourselves (as if that’s possible!) Was any of that true for you?
TLG: I really didn’t feel any outside pressure to do a great job, or “we hope the book is as good as the story” sort of thing. A couple of good friends would chide me with “You’ll never get that damn thing written”, but that was mostly in jest and after a few beers.
I think my own expectations kept me from writing it for a long time. I mean, who am I to think I can write a good story? That sort of self-inflicted mental pressure was something I still can’t shake.
JLL: I know there are personal reasons for your wanting to publish Purple Heart, but I’ve also had the pleasure of reading some of your other writing. Do you have publishing dreams for future stories as well?
TLG: Oh yeah. That would be awesome. I would love to have my YA fantasy and YA mystery works in progress published some day. The writing is so much more fun and light hearted than Purple Heart and I think the two have a much broader market appeal. But, it’s getting the first (perfect) draft completed and I’m haven’t visited the mss in over three months. As you noted in your question, it is a dream.
JLL: As a writer, how will you measure your success? Dollars and cents? Number of copies sold? Number of different books published? Some other internal measure of satisfaction?
TLG: I need to separate this into two parts. I have to go back to the reason I wrote “Purple Heart”—it was not a story I wrote to get published, or sell so many copies or make a certain amount of money. The primary reason was to “just tell the story” so people would know what happened beyond the combat that every one sees in the movies--on which they make their judgments about Vietnam. And, it’s a story I was encouraged to write by family and friends, some of them Vietnam Veterans.
“Purple Heart” is a stand alone accomplishment for me. The day I finished typing out that last sentence was an overwhelming experience. Every emotion wrapped between the covers of that story came rushing over me. I literally sat and stared at the computer screen—crying with joy, sadness, relief and yes, a very powerful sense of accomplishment. When I started “Purple Heart” I never intended to be a “writer”, but after the joy of writing “Purple Heart” I can’t think of anything else I would rather do. So, the measure of success for “Purple Heart” was in the actual completion of the writing. Now, with my association with Veterans Airlift Command, success would be giving as much as I can to that organization through the sales of “Purple Heart”.
[JLL: From the Veterans Airlift Command website: "About the VAC The Veterans Airlift Command provides free air transportation to wounded warriors, veterans and their families for medical and other compassionate purposes through a national network of volunteer aircraft owners and pilots." Terry has pledged a portion of his sales from Purple Heart to benefit VAC. Which is yet another reason for you to purchase your own copy of Purple Heart.]
The writing that I am working on now would be measured in far more different terms. I want to learn as much as I can about the craft of writing. I want to constantly improve my ability to put together a really good story. When I started “Purple Heart” I didn’t know a plot from a theme from a premise. I started reading as much as I could on the internet about how to structure, how to outline, proper verb tense and good character development techniques. I purchased a couple of books on writing—the best was Bird by Bird written by Anne Lamont. At some point, I joined a fabulous, wonderful on-line critique group. It was the luckiest day in my life during the writing of “Purple Heart”.
So now, my best measure of success would be the act of getting published—the satisfaction, that recognition by the publishing and reading universe—that would be the greatest measure of success. I don’t know about other writers, but with me, my ego gets extremely high indulgence from very low pay expectations.
CLICK HERE for part two of the interview.
Stay tuned for Part Two of the interview, where Terry shares his insight and advice about self-publishing.
28 July 2009
Aspiring Author Profile: Robb Grindstaff
Name:
Robb Grindstaff
Age…ish?:
50
Location/Country:
Washington, DC
Genre(s) you write:
Literary, mainstream, upmarket women's fiction
Books/Authors you love:
Authors: John Irving, Dave Eggers, F. Scott Fitzgerald, Gabriel Garcia Marquez, Amy Tan, Chuck Pahlaniuk, Mary Gaitskill
Books: World According to Garp, Catcher in the Rye, To Kill A Mockingbird, Love in the Time of Cholera, Kite Runner
How long have you been writing?
40+ years in one way or another. Told my teacher in second grade that I wanted to be an author. She said 'you have to be a writer first. After you've written something, then you are an author.' So I went home and wrote a one page short story. No idea what it was now, but my mom loved it and put it up on the fridge for the whole family to see. That's when I discovered the joy of being published and having readers. Wrote through high school, majored in English and journalism and continued writing through college. Somewhere along the way, a full time job, married, kids, a mortgage - the career in the newspaper biz and family life took over and my fiction writing stepped aside for 20 years or more. Then one day about 8 years ago, had an idea for a novel and sat down to write. Haven't stopped since.
Do you have any professional/industry experience as a writer?
30 years in newspapers, much of that on the business side of the industry, but have been a reporter and editor and currently managing editor of a daily newspaper. So my professional experience is more involved in reading/editing other people's work, and not with fiction (at least hopefully not; we try to avoid that).
Had anything published?
Literary mag back in college. Now, regularly submitting and querying, but still looking for the big publication deal that will surpass my mom's refrigerator door.
Agent status (please X all that apply)
[X] Need one
[X] Want one. Desperately. Want. One.
[ ] Got one
[X] We’re “talking” (manuscript of my first novel requested by an agent who is reviewing it. But I've had several agents request the full MS, have entered discussions with two agents, but no luck yet)
[ ] I’m cyberstalking him/her, but so far they have yet to respond to my inappropriate sexual advances…. Erm, I mean, my query letter.
[ ] Agent? Who needs an agent?
Either/Or when you write:
Pen and paper, or computer screen? -- Computer screen absolutely. I can't read my own handwriting, and the words come much too fast for pen and paper. I type about 70wpm and that's not fast enough either, but I can read it and edit it on the fly.
Plotster (outlines, scene cards, etc.) or Pantster (writing by the seat of your pants)? -- Some of both. I generally have an outline of the story; I know what happens or is going to happen. Sometimes the entire story comes to me in one idea, and I outline the entire novel in one sitting, then go back to write it scene by scene. However, I don't let the outline lock me in. If, while writing, it takes off in a different direction, I let it go. Later, I'll decide whether to change the outline to match what I wrote, or vice versa. Othertimes, however, I just sit down to write with the barest kernel of a character, and let the character tell me about herself and her story. The story and the character develop slowly.
Music on, or off? -- Off. No distractions. Silence. No movement, no sound, nobody walking in and out of the room.
Solitude, or surrounded by people, sounds, things? -- See above. Solitude and silence.
Cleanest first draft possible, or screw grammar/spelling/punctuation and fix it later? Generally pretty clean first drafts as far as typos and grammar etc., and I'll go through and tweak and edit and correct as I go. But still requires a lot of editing later, more for word choice, scene construction, organization, etc.
Slave to the whimsy of your muse, or writing like it’s your job, even when you don’t feel like it? -- Unfortunately, the muse wins. I wish I was more dedicated and disciplined to writing XXXX words per day whether I want to or not. I try, but it doesn't often work. When I'm in the 'zone,' however, I can turn out 10,000 words or more in a day, and they're usually pretty good words. When I force myself to write as a matter of discipline, I invariably wind up trashing anything I wrote.
Do you have a certain place/time of day/writing implement/obsessive ritual/etc. that is crucial to your writing process?
No, not really. Often it's late at night, but then I fall asleep.
Where do you get your inspiration?
I don't know. Especially when a story comes into my head complete from start to finish in one thought. But the stories, the characters especially, in my work have been inspired by the people I've known over the years, the things I've seen and places I've been, and all the great writers I've read over my lifetime. But I usually don't see that until I'm done, other than the more surface, obvious influences. Carry Me Away, for example, I had finished writing it and out querying agents for a year or more before it hit me: as a parent, for years and years, my biggest fear was to lose a child or a have a child permanently disabled, and a car accident was usually the basis for that fear. Seems obvious now, but I didn't realize that in Carry, I wrote my biggest fear, but not from the parent's perspective.
What one thing do you really love about your own writing?
Oh, that's a tough one. What I love about my own writing, and what readers love, may be two very different things. Some things I've written and absolutely loved have wound up getting cut out during editing. "Kill your darlings." But overall, I think my strengths are building three-dimensional lead characters that engage readers, that readers can relate to as a real person; and doing description in very simple or subtle ways that tie to the story itself rather than stopping to describe something in great detail. I'd rather the description - whether a physical description of what someone looks like or the weather or what some scenery looks like just flow in naturally, in brief little snippets that don't interrupt the story, and help create an image in the reader's mind without ever making her stop to try to picture it. I don't like describing a character in such detail that I'm trying to force the reader to see her the way I do, but give just enough so the reader's imagination can fill in the rest.
What one thing do you wish you could do better?
Male characters. I tend to write in first person female, even though I've never been one. Go figure. I've tried to write a male lead character a few times, and they come out boring. Guys are boring to write. Women are much more complex and fascinating.
Anything else you want to say?
Haven't I said too much already?
[Me: Nope, never. :-) Just to prove it, you get two snippets, because I love Carry and Hannah both too much to choose.]
A snippet from "Carry Me Away." Fifteen-year old Carrie, who has just learned that complications from internal injuries caused by a car accident two years earlier are inoperable, and doctors have given her a year or two before her body gives out completely, is visiting Mama Carissa, her grandmother in rural Texas. They're working in the grandmother's flower beds together.
Hannah, six years old, at home with her mother while a group of adults from church are visiting one evening, when a thunderstorm hits. Hannah is most concerned about the snowman she had built in the front yard a couple weeks earlier.
Robb Grindstaff
Age…ish?:
50
Location/Country:
Washington, DC
Genre(s) you write:
Literary, mainstream, upmarket women's fiction
Books/Authors you love:
Authors: John Irving, Dave Eggers, F. Scott Fitzgerald, Gabriel Garcia Marquez, Amy Tan, Chuck Pahlaniuk, Mary Gaitskill
Books: World According to Garp, Catcher in the Rye, To Kill A Mockingbird, Love in the Time of Cholera, Kite Runner
How long have you been writing?
40+ years in one way or another. Told my teacher in second grade that I wanted to be an author. She said 'you have to be a writer first. After you've written something, then you are an author.' So I went home and wrote a one page short story. No idea what it was now, but my mom loved it and put it up on the fridge for the whole family to see. That's when I discovered the joy of being published and having readers. Wrote through high school, majored in English and journalism and continued writing through college. Somewhere along the way, a full time job, married, kids, a mortgage - the career in the newspaper biz and family life took over and my fiction writing stepped aside for 20 years or more. Then one day about 8 years ago, had an idea for a novel and sat down to write. Haven't stopped since.
Do you have any professional/industry experience as a writer?
30 years in newspapers, much of that on the business side of the industry, but have been a reporter and editor and currently managing editor of a daily newspaper. So my professional experience is more involved in reading/editing other people's work, and not with fiction (at least hopefully not; we try to avoid that).
Had anything published?
Literary mag back in college. Now, regularly submitting and querying, but still looking for the big publication deal that will surpass my mom's refrigerator door.
Agent status (please X all that apply)
[X] Need one
[X] Want one. Desperately. Want. One.
[ ] Got one
[X] We’re “talking” (manuscript of my first novel requested by an agent who is reviewing it. But I've had several agents request the full MS, have entered discussions with two agents, but no luck yet)
[ ] I’m cyberstalking him/her, but so far they have yet to respond to my inappropriate sexual advances…. Erm, I mean, my query letter.
[ ] Agent? Who needs an agent?
Either/Or when you write:
Pen and paper, or computer screen? -- Computer screen absolutely. I can't read my own handwriting, and the words come much too fast for pen and paper. I type about 70wpm and that's not fast enough either, but I can read it and edit it on the fly.
Plotster (outlines, scene cards, etc.) or Pantster (writing by the seat of your pants)? -- Some of both. I generally have an outline of the story; I know what happens or is going to happen. Sometimes the entire story comes to me in one idea, and I outline the entire novel in one sitting, then go back to write it scene by scene. However, I don't let the outline lock me in. If, while writing, it takes off in a different direction, I let it go. Later, I'll decide whether to change the outline to match what I wrote, or vice versa. Othertimes, however, I just sit down to write with the barest kernel of a character, and let the character tell me about herself and her story. The story and the character develop slowly.
Music on, or off? -- Off. No distractions. Silence. No movement, no sound, nobody walking in and out of the room.
Solitude, or surrounded by people, sounds, things? -- See above. Solitude and silence.
Cleanest first draft possible, or screw grammar/spelling/punctuation and fix it later? Generally pretty clean first drafts as far as typos and grammar etc., and I'll go through and tweak and edit and correct as I go. But still requires a lot of editing later, more for word choice, scene construction, organization, etc.
Slave to the whimsy of your muse, or writing like it’s your job, even when you don’t feel like it? -- Unfortunately, the muse wins. I wish I was more dedicated and disciplined to writing XXXX words per day whether I want to or not. I try, but it doesn't often work. When I'm in the 'zone,' however, I can turn out 10,000 words or more in a day, and they're usually pretty good words. When I force myself to write as a matter of discipline, I invariably wind up trashing anything I wrote.
Do you have a certain place/time of day/writing implement/obsessive ritual/etc. that is crucial to your writing process?
No, not really. Often it's late at night, but then I fall asleep.
Where do you get your inspiration?
I don't know. Especially when a story comes into my head complete from start to finish in one thought. But the stories, the characters especially, in my work have been inspired by the people I've known over the years, the things I've seen and places I've been, and all the great writers I've read over my lifetime. But I usually don't see that until I'm done, other than the more surface, obvious influences. Carry Me Away, for example, I had finished writing it and out querying agents for a year or more before it hit me: as a parent, for years and years, my biggest fear was to lose a child or a have a child permanently disabled, and a car accident was usually the basis for that fear. Seems obvious now, but I didn't realize that in Carry, I wrote my biggest fear, but not from the parent's perspective.
What one thing do you really love about your own writing?
Oh, that's a tough one. What I love about my own writing, and what readers love, may be two very different things. Some things I've written and absolutely loved have wound up getting cut out during editing. "Kill your darlings." But overall, I think my strengths are building three-dimensional lead characters that engage readers, that readers can relate to as a real person; and doing description in very simple or subtle ways that tie to the story itself rather than stopping to describe something in great detail. I'd rather the description - whether a physical description of what someone looks like or the weather or what some scenery looks like just flow in naturally, in brief little snippets that don't interrupt the story, and help create an image in the reader's mind without ever making her stop to try to picture it. I don't like describing a character in such detail that I'm trying to force the reader to see her the way I do, but give just enough so the reader's imagination can fill in the rest.
What one thing do you wish you could do better?
Male characters. I tend to write in first person female, even though I've never been one. Go figure. I've tried to write a male lead character a few times, and they come out boring. Guys are boring to write. Women are much more complex and fascinating.
Anything else you want to say?
Haven't I said too much already?
[Me: Nope, never. :-) Just to prove it, you get two snippets, because I love Carry and Hannah both too much to choose.]
A snippet from "Carry Me Away." Fifteen-year old Carrie, who has just learned that complications from internal injuries caused by a car accident two years earlier are inoperable, and doctors have given her a year or two before her body gives out completely, is visiting Mama Carissa, her grandmother in rural Texas. They're working in the grandmother's flower beds together.
We sat in the dirt together for hours every day that week. I learned the difference between petunias and pansies, tulips and daffodils, marigolds and dahlias, seeds and bulbs, annuals and perennials. I learned when to prune the azalea bushes so they’ll have time to recuperate from the trauma to bloom again in the spring more brilliantly than ever. I learned there are more kinds of roses than I’d ever imagined possible.Something from Hannah's Voice.
A butterfly landed on my glove, and I held very still while we watched it for the longest time before it flew off.
“Butterflies are the most beautiful living creature, don’t you think, child?” she said. “An amazing creation of God. They have to be that beautiful to have the confidence to land on these flowers. You don’t see moths landing on these flowers, because they’d just embarrass their selves. God had to create something beautiful enough to visit these flowers without feeling ashamed.”
“What about the bees, Mama? They visit the flowers, and they’re not so beautiful.”
“No?” She seemed a little incredulous that I didn’t find bees beautiful. She reached over to a petunia bloom and caught a bumblebee in her glove, holding it just tightly enough so it couldn’t escape, but not so much that she’d squash it.
“Looky here. See the stripes with the different colors? The light hairs covering his whole body? And look at the legs. Shiny, with tiny, coarse black hairs that collect the pollen, just like your grandma’s.” When she laughed at herself, her shoulders bounced up and down and her bosom jiggled.
The veins formed supports in the transparent wings. The eyes seemed to see in all directions. The tiny antennae searched for a signal and the little tongue-like proboscis darted in and out to get a drop of sweet liquid from deep inside a flower.
Its stinger slid in and out, trying to find a target but coming up empty. How could something so tiny hurt so much? I’d never been stung but had always heard that bees could cause some serious pain. I’d finally gotten used to needles, and it couldn’t hurt any more than that, could it?
I slipped off one pink glove, and slowly extended a finger toward the bee. I wanted to touch it, to feel the silky hairs, the slick wings, to let him taste my skin with his little tongue.
I wanted to touch the stinger, to feel it enter me, to feel its juice injected inside me like a nurse with a syringe.
“Just what are you doing, child?” Mama opened up her glove and let the bee fly off to go pollinate another flower just before my finger reached it. “Don’t you know that thing will sting you?”
“I wanted to touch it, Mama. Does it really hurt that much?”
“I think we need to get you inside for some lemonade. I’ve had you sitting out in this heat so long your brain is getting sunburnt. Besides, there’s some clouds coming in over there, so I think our good weather is about to go to hell in a handbasket.”
So we went in the house, drank some “fresh-squozed” lemonade that evaporated in my mouth before I swallowed, and shared the last piece of leftover strawberry rhubarb pie as the thunder rolled in the distance. The sky grew darker, and I napped on the couch while Mama Carissa watched TV. When I woke up, the sun was coming in through the window on my face, low and hot.
She was telling the contestants when to buy a vowel, or criticizing them mercilessly for not seeing the obvious answer. Mama Carissa always seemed to have the answer.
“Did it rain, Mama?”
“No, not a drop.” She thought about something for a minute, something serious, then she just went back to my question about the rain.
“Sometimes the darkest clouds can gather on the horizon, and you’ll think you’re in for a huge storm. Then it just goes away, and the sun comes out like nothing was ever wrong.”
Mama Carissa always had the answer.
To read the opening chapters of Carry Me Away, visit either http://www.authonomy.com/ViewBook.aspx?bookid=1389 or www.fbook.me/robbgrindstaff_writer
Hannah, six years old, at home with her mother while a group of adults from church are visiting one evening, when a thunderstorm hits. Hannah is most concerned about the snowman she had built in the front yard a couple weeks earlier.
The lights flickered twice before coming back on to stay. Everyone stumbled to the window to see where the lightning had hit.
“Yup, it got your tree, Ruth.”
I squeezed in beside Momma and peered through the blinds. Pitch black outside, I couldn’t see the tree at all until another streak turned the front yard to daylight for a couple seconds. Colors reappeared for that brief moment. The waxy green leaves of the magnolia. A silver car in the driveway. The blue door and shutters of the house across the street, with a red wagon in their front yard. A strange yellow streak down the middle of our tree. The lowest limb hung down at an odd angle, so low that the tire from the swing rested flat on the ground. Then everything went black outside again. Only dim shadows in gray remained, outlining the bright photograph etched in my brain. Another thunderclap pushed me back from the window even though I knew it was coming this time.
I was halfway across the front yard before the screen door slammed behind me.
“Hannah, where do you think you’re going? Get back here this instant, young lady. You’ll get struck by lightning out there. What’s wrong with you? What are you doing?” Momma stood in the doorway, her panicked voice screeching over the storm.
Another flash and bang at my side gave me enough light to see where I needed to go. There, just beyond the tire. I ran as fast as I could while the light lasted. Giant drops thumped my head, pelted my back, stung my face. The rain seemed to go sideways in all directions. This time the thunder didn’t make me jump.
I bent down in the wet grass and scooped him up in my hands, sliding my fingers under his icy belly and holding him close, bending over to protect him from the warm rain.
All the women crowded in the doorway beside Momma, who held the screen open and yelled for me to hurry. The two men looked through the window blinds at me, horizontal strips of a giant and an elf. When the yard lit up yet again, my legs bolted for the door before I willed them to move. Momma stepped out into the rain to hold the door so I could get by her, while the others stepped back to make way. I didn’t stop until I got to the kitchen, with Momma following right behind me. She pulled open a drawer and grabbed a box of the freezer bags we used for leftovers.
“Quick, child. Before he’s all gone.” She held the bag open while I lowered him inside. She zipped the seal shut and handed me the bag. She opened the small door on top of the refrigerator, too high for me to reach, and rushed to rearrange some leftovers and frozen packages of meat to make room for the new guest.
She took the bag with my tiny, misshapen snow baby and set him between the ice cube trays and the gumbo, just in front of the catfish fillets.
“There. Now he’s safe.” We looked at the little white blob for a moment before I reached up on my tiptoes and shut the freezer door.
Read more of Hannah's Voice at http://www.authonomy.com/ViewBook.aspx?bookid=1915 or www.fbook.me/robbgrindstaff_writer
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