- Small talk and meaningless words. I never really understood the point. Some people are just uncomfortable with silence. Sometimes characters are too. If that's the case, and a character rambling on and on about nonsense is part of their personality, that's brilliant. But just to fill space, it's no excuse.
- Sometimes you can get a sense that someone is saying something to you to get a certain reaction, for their own benefit - whether it’s fishing for a compliment, or making vague comments in the hope that you’ll ask questions and allow them to talk some more about their topic of choice. I equate this to dialogue that is rife with the author’s agenda instead of sounding true to the moment.
- Taking twenty minutes to tell me a five minute story. Get to the point, already! Better yet, don't tell me the story at all. If it were that important, you'd spit it out faster. In dialogue, this is using 45 words where 10 would suffice. Again, if something is important enough to say in dialogue, you should find the most precise words to say it.
Writing and life are like a bowl of jello - malleable, uncertain, open to interpretation, with endless possibilities.
06 April 2010
Art Imitating Life
I realized something the other day about my writing style and my real-life social preferences. Turns out, the same things I dislike about dialogue in writing are the same things I dislike when interacting with people:
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I agree - if dialogue is poorly done, it's so hard to read! It's one instance where we don't want our art to really imitate life :)
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